The Women of The Iliad

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In honor of my upcoming novel, Companion of the Ash, I would like to provide an introduction to the women whom Homer included in his epic eighth-century B.C. work, The Iliad. There are many women in The Iliad, but I am focusing on four–the four who I have included in my novel.

Bearing in mind that women in ancient literature were often treated as “extras,” serving the needs of men and as a sort of window-dressing for the author, I will do my best to illuminate the characters as they were revealed to us by Homer. We have a sorceress, an unpleasant woman, and women who are incessantly sad. These were pretty much standard roles women were relegated to in ancient literature.

Women were also only given roles in relation to men–they were the mothers, sisters, wives, and daughters of heroes and villains. Women did not appear in ancient texts as free-standing characters, unanchored to men. One exception to this is Penthesilea, the Amazon Queen, who does appear in The Iliad and other ancient works. It should be noted, however, that the Amazons as a group were described as “man-like,” and thus were given a sort of license to stand on their own as characters devoid of male counterparts–other than the centaurs, who were not fully men.

Kassandra
Kassandra was sister to Hector, Paris, and Helenus. She was the daughter of King Priam and Queen Hecuba. Thus, she was a princess of Troy. She was single, and, as such, served in the only real capacity a single woman could in the ancient world–as a priestess. She was also a “seer,” with the gift of prophecy. For this, she was considered insane. It is Kassandra who warned Paris not to go to Sparta because he would meet Helen, and it was Kassandra who predicted the fall of Troy at the end of the Trojan War. But she was cursed–no one believed any of her prophecies, even though they were all true.

Hecuba
Queen Hecuba appears in several ancient works, but I will focus on her role in The Iliad here. She is best known, perhaps, for being a mother–of nineteen children. These children include the heroes Hector and Paris, and the scholar and prophet (who people believed), Helenus. She was also mother to Kassandra, who she dismissed as insane. She appears in Homer’s work at prayer, and as–variously–a doting, anxious, and grieving mother.

Helen
It is on Helen’s shoulders upon which the entire Trojan War rests. We know now the famous quote, “the face that launched a thousand ships.” Well, it was also the face that brought down a great city. Helen returning to Troy with Paris was the literary cause of the Trojan War (but almost definitely not the historical cause). Homer paints her as sorrowful and regretful–perhaps even as a woman who misses her husband Menelaus in Sparta. In The Iliad, she is reunited with Menelaus in the end, after the fall of Troy and the death of Paris. She is a rather pathetic figure, considering the war is her fault.

Andromache
Andromache is the wife of the hero Hector. This connection is so central to her character that in Book 22 of The Iliad, Andromache is not even named. She is simply referred to as “the wife of Hector,” despite being a relatively major character in the work. Throughout the epic, Andromache is seen weeping and carrying on over deaths and deaths-to-come. She is portrayed as a weak woman; a woman who exists only for the purpose of providing emotional responses to her husband’s deeds. She is never given a full character of her own.

And it is to Andromache that I turned in writing my novel. I was taking a writing class in Derbyshire, England, in 2003, and the instructor asked us to answer the question, “What if?” After much scribbling and musing, I came up with the question: “What if Andromache was a strong, capable, fully-developed character?”

And, thus, Companion of the Ash was born. It is set for release this year from Spider Road Press. The story is a sequel to The Iliad, starting at the death of Hector. It is told through the eyes of a strong, courageous Andromache.

I thought, after twenty-eight centuries, she deserved as much.

Book Review: “Field of Mars” by David Rollins

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I was recently told by a literary agent that ancient Roman settings were “a very tough sell” in the publishing world.  Perhaps said agent should read David Rollins’ Field of Mars and reconsider her opinion.

If you want to be thrust backward full-force into the drama, order, chaos, smells, tastes, and sensations of the Roman Republic, then this is the novel for you.  This reader (and writer) of historical fiction has fallen in love with the genre all over again thanks to Rollins’ masterful work.

The premise is irresistible: In the far west of China today, there are men and women who have blond or red hair and blue or green eyes.  How did this happen?  The author connects this modern mystery to an ancient one — the disappearance of 10,000 Roman legionaries after a devastating defeat at the hands of the Parthians in May of 53 BC.

I hesitate to even give away the slightest bit of the story lest I ruin it for you, but it must be said that Rollins captures the details of Roman city life and Roman legionary life exquisitely.  From the very start of the novel, when a white bull is being sacrificed in the streets of Rome for the god Mithras, the reader is hooked.  Having written a similar scene  myself, I know how difficult it is to convey a scene which is unheard of in modern times, and thus impossible to observe and write down details of in order to use in one’s own novel.  But Rollins paints the scene perfectly — it’s as if the reader is in the streets with the narrator, seeing every detail of the sacrifice, every smell, every sound, every ripple of the hot Roman air through the surging crowd.

And then there are the battle scenes, of which there are two major ones.  Rollins obviously has an expert’s grasp on the armament and stratagems of the Roman army, and he uses his knowledge to great affect in the great battle between the Romans (under Proconsul Crassus) and the Parthians.  The author isn’t shy about the ravages of war, providing the reader with a realistic look at what life in the midst of battle would have been like for a legionary.  But he does not go over the top with graphic violence, as lesser authors might do.  He finds a realistic middle ground and sticks to it.

The characters are varied and well-fleshed out, each with their own motivations and story arcs.  We are sad, even, when a Parthian character dies, because Rollins has us so invested in his story.

The women in the novel hold the traditional roles of women in an ancient history tale, which is unfortunate.  They are a witch and a prostitute, both of whom seem to exist only to serve the male main characters.  But if you can will yourself to ignore these imperfections in the storyline and characterizations and forgive the author for falling into this traditional trap, you will be able to enjoy the novel.  It is, after all, difficult to create more positive roles for women when you are writing about such a male-dominated topic as a Roman legion.

This is a story about Rome, but it is also a story about the world beyond Rome, and about the weakness of Rome — about Rome’s arrogance.  And yet the characters are so real, one can separate the Roman legionaries from their leaders — from Crassus, from Pompey, from Caesar — and see the legionaries for what they probably were:  simple men doing a difficult job serving their country.

This is a marvelous book.  Highly recommended.  My only wish is that the author would continue on and write a sequel, as I am dying to know the rest of the story!

Buy it on Amazon (Kindle Edition)

Book Review: “God’s Daughter” by Heather Day Gilbert

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This novel is Volume One in a two-volume series (Vikings of the New World Saga), and I plan to read and review the second novel, Forest Child, next.

I loved the premise, and the novel came with an excellent review from the Historical Novel Society, so I was eager to read it.

Gudrid, the main character and narrator, is a Viking woman who has traveled to the New World with her husband Finn.  Finn is the leader of an expedition that seeks Leif Erikson’s legendary Vinland, a land rich in wheat and grapes.  But the expedition has been waylaid and has settled for two years in a place they call Straumsfjord — which looks to be on the novel’s map in northern Labrador.

Gudrid, her husband, and the other settlers face the danger of the Skraelings — which the reader assumes to be Native Americans.  These Skraelings come at first to trade, but then to fight.  Gudrid’s husband eventually decides he must go south to Vinland to fill his ships with wheat and grapes for Leif Erikson, who has sponsored the expedition and who is owner of the ships.  They dare not return to Greenland and Leif without some kind of plunder.

The last third of the book takes place at Brattahlid in Greenland, Leif Erikson’s farm.  Gudrid and her husband and their party have returned with bounty from Vinland.

Throughout the novel, there is family drama and the occasional mention of Gudrid’s Christianity.  I think the author missed a good opportunity here to show the richness of the clash of religions between those who followed the old Norse gods in 1000 AD and those who had turned to the growing faith of Christianity.  But instead, this inevitable conflict is glossed over.

In addition, this reader at least grew weary of every man in the novel pining over the main character.  The main character herself grows weary of every man seeming to be in love with her.  It is irritating, unrealistic, and distracting.

God’s Daughter is an entertaining enough story, but it lacks a certain depth.  There are no great themes here, when there easily could have been with the religious aspect.  In addition, I never felt attached to the main character, rather I simply felt I was an outsider observing her life.

The details of Viking life are excellent, and the author obviously has a love of the time period.  I only wish she had given her story a bit more meat and depth.

Recommended as light summer reading or for those fascinated by the Vikings, but if you are seeking a novel to truly sweep you away to another era, this probably isn’t the one for you.

Buy it on Amazon

Book Review: “The Firebrand” by Marion Zimmer Bradley

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Fans of The Mists of Avalon will not be disappointed by Marion Zimmer Bradley’s lesser-known novel about the Trojan War, The Firebrand.  With the priestess and prophetess Kassandra as her main character, Bradley paints a striking picture of life in Troy during the Greek siege.  Kassandra is much maligned by her royal family for her prophecies of doom, and is seen as an outsider despite being a princess, daughter of King Priam.  And despite her role as priestess to the Sun God Apollo, she is haunted by doubts about the powers and motives — and even the very existence — of the gods and goddesses.

Through Kassandra’s eyes, we see the great heroes of The Iliad not as Homer revealed them, but as perhaps a sister would have seen them.  Hector is bold and something of a bully, as an older brother might be.  Paris is arrogant and selfish, as a man who makes off with another man’s wife might be.  There are echoes of The Mists of Avalon here; the women – Helen, Andromache, and Kassandra — take the primary roles, while the men are the weaker characters.

Achilles, one of the greatest heroes of Western literature, is seen in the novel for what he probably would have actually have been – a sociopath and a brute.  While Homer seems to delight in Achilles’s quest for glory on the battlefield, Bradley shows us the atrocities the man committed for what they truly would have been – the actions of a man with no conscience or regard for human decency.

With Kassandra’s role as a priestess, religion plays a major role in the novel.  As with The Mist of Avalon, Bradley pays a great deal of heed to “the goddess” figure in her work.  Through several of her characters, including the Amazon warrior queen and the queen of the city of Colchis, she asserts that the Goddess came before the Gods and that women ruled before men.  This is Bradley’s signature theme, and plays out a bit more heavy-handedly in Firebrand than it does in The Mists of Avalon.

The novel is incredibly well researched, drawing on not only The Iliad, but The Odyssey, The Orestia, The Trojan Women, The Aeneid, and much of traditional Greek mythology, as well.  Fans of Greek history and mythology as well as Bradley’s other work will find much to enjoy in The Firebrand.

Buy it at Amazon